the fact that tomorrow is always today… all of this…
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We come together as Texas-based literary journals, magazines, creative projects, bookstores, presses and writers to uphold our ongoing commitment to the coexistence of diverse perspectives and identities, as well as the promotion of free and open discourse.
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When I was 24, I killed myself.
Read More!['[REVIEW] The Beautiful Losses: Allegorical Prosody, Historical (Dis)Continuity, and the Long Shadow of Leonard Cohen', by D.M. Rice](https://images.squarespace-cdn.com/content/v1/59aef3bacd39c38dabcb0dc2/1696518155146-K5D3K24JR0R8TZNGKQLY/pexels-mart-production-7230418.jpg)
Fred Pollack's collection The Beautiful Losers appears to have pretenses toward a near-universal scope. This is its ambition, to representing the exacting precarity and simultaneously overwrought decadence of life in the contemporary world: class inequality, privilege, and the primacy of material power over ideological quibbles.
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And if we wonder why it’s so hard to apprehend God or the Big Mysteries, well, we often
don’t even see the small ones.
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