'Out With Lanterns', by Christie Cochrell
However lost or uncertain I get, however washed out by lengthy periods of fitting in, I’ve
been reminded that I am at heart okay—my weirdness is right there in whatever notebook I carry
with me, always tucked away in that blue canvas bag or another.
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Elegy for Kate Rose Silva Xavier (may her memory be a blessing), by Evan M. Olszewski
This is half to process for myself what I saw today in my newsfeed
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Yakov, With Vassily Not Far Behind, by Rudy Martinez
A year ago, I was sitting in a room in San Marcos (TX), on what I remember was a somewhat comfortable bed, writing aphorisms for an ex-partner. Had 1 a barely recognizable me from 2018 knocked on the door of somewhat comfortable me from 2017, he would’ve shared an odd vision of the future:
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When They Came for Me, by Rudy Martinez
Six months ago, I graduated with a philosophy degree from Texas State University in San Marcos, TX. What was promised to be a day of jubilation for my family, as I am a first-generation Colombian and the first in my family to ever attend an American institute of higher education, was instead welcomed with a reluctant sigh of relief.
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Stop Telling Me That Only Love Can Beat Hate, by Tafari Robertson
In the aftermath of a white supremacist rally that took place in Charlottesville, VA and the resulting mess of presidential statements that came in the days following, many are rushing to align themselves on the right side of history. While some attend rallies in solidarity or rush the removal of the remaining Confederate monuments across the US, others have chosen to hide their relative inaction by claiming only ‘love’ can defeat ‘hate’ all across social media. Such feel-good rhetoric does double duty as it allows the user to feel assured in their spot on the hypothetical spectrum of history while relieving them of any responsibility to address the very real oppression, violence, and hatred in communities that surround them.
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Alienation, Authenticity, and the Analogous in Postmodern Capitalism, by May Olvera
In 1988, the Polaroid Corporation, a giant in the instant film industry, started falling into massive debt, declaring bankruptcy by 2001 (Deutsch, 2001). By 2008, they ceased production of their instant film and in an article published in Wired, the magazine stated, ‘this is one of those quiet moments in tech history marking the end of an era’ (Beschizza, 2008). Ten years later, Polaroid and other instant film companies have had a sort of re-birth despite living in a digital age, largely in thanks to millennials…
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A New Refutation of Nuclear War, by Rudy Martinez
No longer is there time to murder and create. The heights of human achievement have been reached, the rest of our time on this planet will be spent squabbling over what to label the latest trend in literature or contemporary art.
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